Give Discription On Biology Lab

The appropriate distance (Nacho Vegas Christina Rosenvinge)

Asked why normally choose to write songs that depict the moment when a relationship breaks down and not what makes it special ( Rockdelux 268), Nacho Vegas -undoubtedly the most charismatic figure in English singer-songwriter movement (along with Antonio Luque, alias Sr.Chinarro) - answers in maniera vera and sincere artistic spiegando sorge che la creazione e dal dal mistero contrast, Mentre i momenti felici non sono fatti per essere raccontati, ma per essere single vissuti:

" When you are in a good moment in a relationship, what you enjoy is a certain harmony, it seems that finally things fit. And I is what I want, like anybody else, but that causes me the urge to write a song. The songs are born from chaos, disorder, extreme feelings of all that you do not quite understand . " Questa

poetic Malinconico piena confermativo nell'ultimo trova, beautiful record of the rocker Asturias, "El Manifiesto desastre", where we focus on what we leave behind rather than on what you want, on what is lost rather than what they encountered. Even the intense darkness of the cover-lay thoughtful, enlightened bunch, a cigarette dangling from his lips, seems to suggest that in the past to use a song you need a certain distance, and this record is not in chiaroscuro is simply a journey back in time, a way to stop licking their wounds and finally being able to look ahead, or at least to the present. Nacho Vegas And this is radiant in the midst of a relationship with the most charming and curious of the protagonists of scena indie spagnola, quella che ogni anno Christina Rosenvinge e ogni album che passa if fa più affascinante semper. D'

altronde is Avessadas parlare di lei scroll, il Biondo di Gijon inaugurate non avrebbe il drive-in "Dry Martini , SA " - with the mite rassegnazione di queste parole:

" speak alone, drink tea, take notes to make my life without you something habitable.

The whole Leo why today disarmament television, humming a song unbearable.

So, when you have nothing to do and I pass by your head,

nadie podra OIRT, Asi Piensa en mi como que me quisieras you.

But then, if you can live, there is no need to think in a song special moment through a relationship. There will be time to turn it into a painful memory.

A few months later, he meets, and not coincidentally, the same emotional chiaroscuro of the final work Christina Rosenvinge " Tu labio superior "perhaps the album most courageous, intelligent and visceral throughout the career of the blonde Madrid's Danish family - which now has also shrugged off the latest suspicions that he brought with him from his soft pop debuts of the late eighties. The interpreter is now ripe Rosenvinge, embellished with a disarming beauty, the daughter of the contradictions in her live, which makes it unique in its own way, at least in Spain. A musical level, back to English after calling more avant-garde of the last works (the so-called New York Trilogy, dry and dark), the Rosenvinge wrote more simple, direct, effective, without giving up the mystery, sensuality and the disturbance that have always distinguished his productions. Also, if possible, rather than impoverish his narrative, the naive imperfection of his English accent increases even more the degree of her womanhood, as well as a small scar on his chin, an irregular fringe orphan or a dimple on one cheek make it more attractive a woman's face.

The disc opens with a whispered song ("La distancia adecuado "), who hides behind a sweet melody deliberately murky gloom of waiting, the remoteness, the restlessness that is despite evidence to the one you love its volatility (also because of "esa señorita / conmigo que rhyme / you ronda que siempre alrededor. / Es you favorite / t y llevar CounciI you cancion me gusta mas que"). Without indulging in any teenage wasteland, è anche come is the Avessadas Rosenvinge deciso di guardarsi alle Spall, di liberarsi del passato, di svuotare tasche you the sul tavolo dell'ingresso cappotto prima di andare al cinema with Nacho Vegas, e mette quasi i brividi the simmetria a distanza dei loro version iniziali:

" for you is perhaps never

I'm not mistaken

uneasiness is going to take

this season

maybe I should not leave

you to play with my skirt

how hard it is to save

the distancia adecuado.

After all, it's like "El desastre Manifiesto" and "Tu labio superior" had the same record, the story of that past seen with two different views, or perhaps two of the past different view with the same look. For both, the hardest thing is knowing how to maintain the appropriate distance, the distance separating the elusive past and present, reason and desire, freedom and vulnerability. To love and to love too. The distance between them.

that are capable of succeeding, and thus prevent their relationship reaches that point after which it can only begin to dissolve, I care very little. What I mind is that they continue to write these songs, and that I, perhaps, I can listen in the car while I reach Asturias, its cliffs, its sea urchins, with the map open on the passenger seat and a folded letter on dashboard.